Just 21 but undeniably an old soul, Max Jury comes on like the missing link between Gram Parsons and George Harrison, shot through with the grace of James Blake. Bluesfest is delighted he will be making his Australian debut at the festival in 2017.
An impeccable song-crafter, he’s got one foot in the cornfields and the other in the nearest dive bar whilst his fingers skip across the keys of his Fender Rhodes. An Iowa native, he binds together timeless themes of the struggles of being young, drinking the bottle dry and love lost and found with a small town perspective, topped off an airy croon that’s bound to break as many hearts as it heals.
Growing up in rural Des Moines, surrounded by wide open he sought creative solace in his dad’s old bluegrass and new wave records and his mother’s mixtapes. “I would find them and play them in my room,” he recalls of the cassettes. “I didn’t know who the artists were at the time, but looking back it was stuff like The Beatles and Lucinda Williams and Elvis Costello.”
Max either plays solo or with a full band made up of friends and ex-lovers, who made their debut at a sold-out, 2000 capacity venue supporting Lana Del Rey, “It took all the nerves out of performing ever again!” remembers Max. “It was like pulling a band-aid off really fast.” So far, playing that massive show has been the strangest moment in Max’s burgeoning musical career. “I haven’t had any really weird experiences yet,” he thinks, “like where a girl gives me a vial of blood after a show.” However, if he carries on like this, such fevered fandom is inevitable.
“His songs are effortless examples of heartfelt, country tinged, beautifully sung and perfectly executed American music.”- Telegraph
“highly accomplished and consistently gorgeous...a remarkable talent” – Mojo
“One of the best songwriters coming out of North America”- Noisey
“He’s an old soul with a voice born to tell stories”- The Independent